As you may know, I take
photos. I like to create my own artistic interpretation of the world. But one thing I've been bummed about is how I haven't seen good black & white photos created from digital cameras. I love the contrast and detail of photos I used to take on TMAX 100 film before I went digital. So now that I have a
fancy-pants digital camera and sessions scheduled to take portraits, I became determined this past weekend to figure how to make digital photos look damn good in black & white.
The problem is that digital black & white photos look too flat and lacking in contrast. It doesn't matter if you use the black & white setting on your digital camera, convert the photo to grayscale mode in Photoshop, or use the channel mixer in Photoshop. The result is just like making a black & white print from a color negative. But since digital photos are all just RGB pixel values, I knew there had to be a way to manipulate them to bring out the depth I wanted. More specifically, I want to be able to bring out really subtle skin tones.
So when I was playing with some borrowed studio lights by taking self-portraits, I messed around with the resulting image for a long time in Photoshop before finding the magic settings to get the look I wanted. When you take a color digital photo you have three channels (R,G,B) of image data. By using the channel mixer you can determine the proportion of data from each channel to use in the resulting monochromatic (black & white) image. While lots of tutorials have mentioned the use of this technique, none had shown how to use it to get the effect I wanted. However, by using
extreme channel mixer settings and then adding a slight sepia tone to the image, I was able to do it!



The first image is the original color image taken by the camera. The second image is after applying a channel mixer layer with settings of: Red +118%, Green +50%, Blue +70%, Constant -60%, Monochrome. The third image has a tone added to though a hue/saturation layer with settings of: Hue 30, Saturation 10, Lightness 0, Colorize. While these settings produced great skin tone and detail, they also made the dark hair and clothing completely black. So, I actually had to adjust those items with less drastic channel mixer settings and them paste them back into the final image. The addition of the sepia tone brings out even more detail in the image. You can see more of the detail in a
larger version of the final result.
Since I've learned a lot of photographic techniques from photographers who have openly shared their experience, I wanted to share my new technique as well.